Art for the Hotel & Hospitality

Framing available

Shiva in meditation with Nandi, the Himalaya rising cold and blue behind them and wildflowers scattered across the foreground rock. The piece works on depth: three distinct planes, each cooler than the last, so the eye travels back into the mountains rather than resting on the figure. A large-feeling work that suits a wall with room to be viewed from across a room.

Framing available

A bridal portrait broken into planes of colour — jewellery, veil and profile reassembled as a mosaic that you read all at once rather than feature by feature. The palette is deliberately unruly: magenta against olive, cobalt against gold. The most extroverted piece in the collection, and the one that will set the tone for whatever room it hangs in.

Framing available

Nine faces pressed into one plane, overlapping the way voices do in a crowded room. Each is resolved just enough to read as an individual before dissolving back into the pattern. The warm palette — rust, saffron, rose — keeps a busy composition from turning cold or clinical. A statement piece for a dining wall or a hospitality space.

Framing available

A tropical shoreline at the moment the sun has gone but the sky has not caught up — palms in silhouette, a thin crescent moon, and the last orange band sitting on the water. Warm and cool in almost equal measure, which is what stops it from tipping into postcard territory.

Framing available

The same coast an hour later, given over almost entirely to violet — cloud, water and sand all pulled toward the same register, with the white of the breaking surf as the only relief. Hung beside Crescent Over the Cove it extends the evening; hung alone it is a study in how far one colour can carry a landscape.

Framing available

A shallow bowl catching light at the centre of a dense wreath of red roses and dark foliage, painted with heavy impasto so the petals stand off the surface. Nearly baroque in its density. Needs a wall with some space around it and, ideally, light from the side to rake across the texture.

Framing available

A woman with her eyes closed and her head tipped back, ringed by sunflowers worked in thick palette-knife strokes. The paint is laid on heavily enough that the flowers read as physical objects on the canvas rather than images of flowers. The most tactile piece in the collection — worth seeing in raking light.

Framing available

A woman in a pale yellow dress seated in long grass, the whole scene dissolved into soft impressionist light with a single tree anchoring the left of the frame. The wide format and low contrast make it unusually restful. Suits a bedroom, or a long horizontal wall where a busier piece would feel like too much.